
THE MUSIC IS A LINK between man and time. She can be wisdom, order and poetry. She can also provoke, threaten, and cause danger and despair. It is through the true, almost incredible story, recreated by two young musicians discovering letters turned yellow by time, that the Music, such a light in the mourning, brings the proof that she can sometimes take away the horror and the death. " (Off screen voice Jean PIAT in the beginning of concert). According to Anita Lasker-Wallfisch’s and of Simon Laks 's true story
Anita Lasker-Wallfisch: The Truth in inheritance, cellist of Auschwitz - Albin Michel
Simon Laks: Melodies of Auschwitz - Cerf
THE BLOCK 15 arose from the reading of the testimonies of two musicians, Anita Lasker and Simon Laks, during the second world war. It was a shock for us to notice that music, which is present everywhere in life, was able to play a role in such circumstances. Nevertheless it was really there as a second skin which protected them, a refuge, but also, sometimes the echo of the suffering of their souls. How and why was Music able to save lives? An uncontrollable urge came then to follow in their footsteps, to express what could have been the life of any musician 60 years ago. These footsteps belonged to a minority found unworthy to live by the Nazis: Jew, Gypsy, homosexual, black … This deeply shattering experience took shape when Jean Piat, a famous French theater actor, was touched in turn by these inconceivable narratives; he decided to direct two musicians who would alone tell this story .So here are Anita and Simon. Stunned , they discover , over the months, that the music might save their lives. Original, poignant, grave. “It is a one-shot show ; I add that the signed direction setting by Jean Piat contributes to purify the show of all which could sink into the pathos to preserve that tightened cord of a deeply shattering and painful human adventure carried by a plain music, and this music is constantly carried by Emmanuelle Bertrand and Pascal Amoyel in a kind of passionate tension that they preserve playing the text, both of them being not juxtaposed , but weaved (...). "
From National French Radio RTL, Alain Duault